2025 Oscar Nominations 

The 2025 Oscar Nominations for the 97th annual Academy Awards were announced Thursday morning, with Conclave, Wicked and A Complete Unknown leading the charge. 

Among the hopefuls is wizard musical, Wicked, which finds itself POP-U-LAR with 10 nominations, including Best Actress (lead and support) for Cynthia Erivo and Arianna Grande. And forget Dancing Through Life, as the musical is dancing through the technical categories, including makeup, editing, sound and production design. 

Conclave, papal drama lead by Ralph Fiennes, has already been blessed as leader of the BAFTA nominations and has now scooped 8 for good measure. Bob Dylan biopic, A Complete Unknown, also secures 8, including Timothee Chalamet for his second Oscar nomination since Call Me By Your Name. 

Emilia Pérez, Netflix musical starring Zoe Saldana and Selena Gomez, is the biggest contender, with 13 in total. Such an accomplishment leaves it one nomination shy of tying the record for overall nominations from a single film; Titanic and La La Land received 14. 

The Oscars is scheduled to be handed out on March 2 at the Dolby Theatre in Hollywood.

Full list of nominations for the 2025 Academy Awards:

Best Picture

• “Anora” (Neon)
• “The Brutalist” (A24)
• “A Complete Unknown” (Searchlight)
• “Conclave” (Focus)
• “Dune: Part Two” (Warner Bros.)
• “Emilia Pérez” (Netflix)
• “I’m Still Here” (Sony Classics)
• “Nickel Boys” (Amazon/MGM)
• “The Substance” (Mubi)
• “Wicked” (Universal)

Best Director

• Sean Baker, “Anora”
• Brady Corbet, “The Brutalist”
• James Mangold, “A Complete Unknown”
• Jacques Audiard, “Emilia Pérez”
• Coralie Fargeat, “The Substance”

Best Actress

• Cynthia Erivo, “Wicked”
• Karla Sofia Gascón, “Emilia Pérez”
• Mikey Madison, “Anora”
• Demi Moore, “The Substance”
• Fernanda Torres, “I’m Still Here”

Best Actor

• Adrian Brody, “The Brutalist”
• Timothée Chalamet, “A Complete Unknown”
• Colman Domingo, “Sing Sing”
• Ralph Fiennes, “Conclave”
• Sebastian Stan, “The Apprentice”

Best Supporting Actress

• Monica Barbaro, “A Complete Unknown”
• Ariana Grande, “Wicked”
• Felicity Jones, “The Brutalist”
• Isabella Rossellini, “Conclave”
• Zoe Saldaña, “Emilia Pérez”

Best Supporting Actor

• Yura Borisov, “Anora”
• Kieran Culkin, “A Real Pain”
• Edward Norton, “A Complete Unknown”
• Guy Pearce, “The Brutalist”
• Jeremy Strong, “The Apprentice”

Best Original Screenplay

• “Anora,” Sean Baker
• “The Brutalist,” Brady Corbet & Mona Fastvold
• “A Real Pain,” Jesse Eisenberg
• “September 5,” Tim Fehlbaum & Moritz Binder
• “The Substance,” Coralie Fargeat

Best Adapted Screenplay

• “A Complete Unknown,” Jay Cocks & James Mangold
• “Conclave,” Peter Straughan
• “Emilia Pérez,” Jacques Audiard, Thomas Bidegain & Nicolas Livecchi
• “Nickel Boys,” RaMell Ross & Joslyn Barnes
• “Sing Sing,” Clint Bentley, Greg Kwedar, Clarence Maclin & John “Divine G” Whitfield

Best International Feature

• “I’m Still Here,” Walter Salles (Brazil)
• “The Girl with the Needle,” Magnus von Horn (Denmark)
• “Emilia Pérez,” Jacques Audiard (France)
• “The Seed of the Sacred Fig,” Mohammad Rasoulof (Germany)
• “Flow,” Miguel Gomes (Latvia)

Best Documentary Feature

• “Black Box Diaries,” Shiori Itō (MTV)
• “No Other Land,” Basel Adra, Hamdan Ballal, Yuval Abraham & Rachel Szor (No distributor)
• “Porcelain War,” Brendan Bellomo & Slava Leontyev (Picturehouse)
• “Soundtrack to a Coup d’Etat,” Johan Grimonprez (Kino Lorber)
• “Sugarcane,” Julian Brave NoiseCat & Emily Kassie (Nat Geo)

Best Animated Feature

• “Flow” (Janus Films/Sideshow)
• “Inside Out 2” (Disney/Pixar)
• “Memoir of a Snail” (IFC Films)
• “Wallace & Gromit: Vengeance Most Fowl” (Aardman/Netflix)
• “The Wild Robot” (Dreamworks/Universal)

Best Cinematography

• “The Brutalist,” Lol Crawley
• “Dune: Part Two,” Greig Fraser
• “Emilia Pérez,” Paul Guillaume
• “Maria,” Edward Lachman
• “Nosferatu,” Jarin Blaschke

Best Costume Design

• “A Complete Unknown,” Arianne Phillips
• “Conclave,” Lisy Christl
• “Gladiator II,” Janty Yates
• “Nosferatu,” Linda Muir
• “Wicked,” Paul Tazewell

Best Film Editing

• “Anora,” Sean Baker
• “The Brutalist,” Dávid Jancsó
• “Conclave,” Nick Emerson
• “Emilia Pérez,” Juliette Welfling
• “Wicked,” Myron Kerstein

Best Production Design

• “The Brutalist,” Judy Becker
• “Conclave,” Suzie Davies
• “Dune: Part Two,” Patrice Vermette
• “Nosferatu,” Craig Lathrop
• “Wicked,” Nathan Crowley

Best Original Score

• “The Brutalist,” Daniel Blumberg
• “Conclave,” Volker Bertelmann
• “Emilia Pérez,” Clément Ducol & Camille
• “Wicked,” John Powell & Stephen Schwartz
• “The Wild Robot,” Kris Bowers

Best Original Song

• “Never Too Late,” “Elton John: Never Too Late” (Elton John & Brandi Carlile)
• “El Mal,” “Emilia Pérez” (Clement Ducol, Camille & Jacques Audiard)
• “Mi Camino,” “Emilia Pérez” (Clement Ducol & Camille)
• “Like a Bird,” “Sing Sing” (Adrian Quesada & Abraham Alexander)
• “The Journey,” “The Six Triple Eight” (Diane Warren)

Best Sound

• “A Complete Unknown”
• “Dune: Part Two”
• “Emilia Pérez”
• “Wicked”
• “The Wild Robot”

Best Visual Effects

• “Alien: Romulus”
• “Better Man”
• “Dune: Part Two”
• “Kingdom of the Planet of the Apes”
• “Wicked”

Best Makeup And Hairstyling

• “A Different Man”
• “Emilia Pérez”
• “Nosferatu”
• “The Substance”
• “Wicked”

Best Documentary Short

• “Death by Numbers”
• “I Am Ready, Warden”
• “Incident”
• “Instruments of a Beating Heart”
• “The Only Girl in the Orchestra”

Best Animated Short

• “Beautiful Men”
• “In the Shadow of the Cypress”
• “Magic Candies”
• “Wander to Wonder”
• “Yuck!”

Best Live-Action Short

• “A Lien”
• “Anuja”
• “I’m Not a Robot”
• “The Last Ranger”
• “The Man Who Could Not Remain Silent”